Jenny Holzer is at the Whitney. But only until May 31st. Eeek.

Little did I realize, all those years ago as a teenager I was witnessing a wonderous marriage between high art and pop culture courtesy of Jenny Holzer and a little tour called ZOO-TV. There I stood, pie-eyed and mute and entirely overwhelmed, as thunderous drums and crashing guitar lines rumbled through my consciousness, and my eyes attempted to absorb messages like CONTRADICTION IS BALANCE and EVERYTHING YOU KNOW IS WRONG and ART IS MANIPULATION and (still my favourite) TASTE IS THE ENEMY OF ART. I don’t recall if it was by accident or design that I discovered Holzer’s work that very year, but it was then I started keeping journals of my own observed Truisms -a strange kind of poetic observation that was, depending on my mood, one-part snide to two-parts smirk, or some combination therein.

Years later, I wasn’t a bit surprised when Holzer’s work was chosen to be displayed at the site of the World Trade Center. Looking over the exhibition now on, she seems more relevant than ever.

That’s it. I need to go to New York. Soon.