The Globe and Mail:
- INTERVIEW: Andrew Burashko (The Art of Time Ensemble) – November 2023
- REVIEW: La bohème (Canadian Opera Company, Toronto) – October 2023
- REVIEW: Fidelio (Canadian Opera Company, Toronto) – October 2023
- INTERVIEW: Dr. Spy Dénommé-Welch (Canoe / Native Earth Performing Arts, Theatre Passe Muraille, Toronto Consort, Unsettled Scores; Toronto) September 2023
- INTERVIEW: Ahmed Moneka & Jesse LaVercombe (King Gilgamesh & the Man of the Wild / Soulpepper Theatre, Toronto) – July 2023
REVIEW: Treemonisha (Luminato Festival, Toronto) – June 2023 - REVIEW: Sizwe Bansi Is Dead (Soulpepper Theatre, Toronto) – June 2023
- REVIEW: Pomegranate (Canadian Opera Company, Toronto) – June 2023
- INTERVIEW: Sinéad Wallace-Campbell & Keri Alkema (Tosca, Canadian Opera Company, Toronto) – May 2023
- ESSAY: On the life and work of Joseph Bologne – May 2023
- INTERVIEW: Richard Tognetti (Australian Chamber Orchestra) & William Barton – April 2023
- REVIEW: Vierge (Factory Theatre, Toronto) – April 2023
- INTERVIEW: Conductor Rafael Payare – March 2023
- INTERVIEW: Ukrainian band DakhaBrakha – March 2023
- REVIEW: English (Soulpepper Theatre, Toronto) – February 2023
- INTERVIEW: Mezzo Soprano Emily D’Angelo – February 2023
- REVIEW: Yerma (Coal Mine Theatre, Toronto) – February 2023
- REVIEW: The Marriage of Figaro (Canadian Opera Company, Toronto) – January 2023
- FEATURE: Reinvention and live classical performance (Alisa Weilerstein, cellist; Alex Pauk, conductor) – January 2023
- FEATURE: Fall on Your Knees stage adaptation (Alisa Palmer, director; Mel Hague, dramaturge; Sean Mayes, music supervisor/composer) – January 2023
- INTERVIEW: Anna Sagalova / Displaced Ukrainian pianist holding concerts in Canada – January 2023
- REVIEW: Toronto Symphony Orchestra 100th anniversary concert featuring Yo-Yo Ma and Jeremy Dutcher – November 2022
- INTERVIEW: Toronto Symphony Orchestra CEO Mark Williams + Four International Orchestras To Draw Inspiration From – November 2022
- FEATURE: Rethinking the Classical Canon (Kate Molleson, Marion Newman, Gustavo Gimeno, Mervon Mehta, Hannah Chan-Hartley) – October 2022
- FEATURE: Seven Canadian opera stars to watch – October 2022
- REVIEW: The Flying Dutchman, Canadian Opera Company – October 2022
- REVIEW: Mozart Requiem, Toronto Symphony Orchestra – January 2020
- REVIEW: Beethoven’s 250th birthday, Toronto Symphony Orchestra – January 2020
- REVIEW: Barbara Hannigan at the Toronto Symphony Orchestra – September 2019
- REVIEW: Jan Lisiecki – Beethoven Concertos album – September 2019
- FEATURE: Wexford opera festival – November 2018
- FEATURE: Instagram and opera – October 2018
- INTERVIEW: The legacy of Claude Vivier (Vladimir Jurowski, conductor) – April 2018
- INTERVIEW: Conductor Jordan De Souza – April 2018
La Scena Musicale:
- INTERVIEW: Seong-Jin Cho (May 2023)
- INTERVIEW: Brian Finley, Director/Co-Founder, Westben Festival (May 2023)
- COVER STORY / INTERVIEW: Cecilia Livingston (composer) (March 2023)
- INTERVIEW: Yoav Talmi (March 2023)
- COVER STORY / INTERVIEW: Andrew Balfour (composer) (February 2023)
- INTERVIEW: Lukas Geniušas (February 2023)
Opera News:
- INTERVIEW: Alexander Neef (2018)
- REVIEW: Arabella (Canadian Opera Company, 2017)
- REVIEW: L’elisir d’amore (Canadian Opera Company, 2017)
- REVIEW: Le nozze di Figaro (Canadian Opera Company, 2016)
- REVIEW: Carmen (Canadian Opera Company, 2016)
- REVIEW: La traviata (Canadian Opera Company, 2015)
- REVIEW: Falstaff (Canadian Opera Company, 2014)
Opera Canada – Features:
- Emily D’Angelo (2021)
- Barbara Hannigan (2020)
- Opera’s Digital Shift (Cover Story; Autumn 2020 print edition)
- Orchestre Métropolitain performs Mahler Amidst COVID19 Restrictions (2020)
- Favorites Of The Decade (2019)
- Alexander Neef – interview about Opéra nationale de Paris appointment (2019)
- Carlo Rizzi (2019)
- The 2019 Vancouver Bach Festival: Vocal Richness (2019)
- A new vision for Festival de Lanaudière: Renaud Loranger (2019)
- The Magic Flute in Glyndebourne: Barbe & Doucet (2019)
- Joseph Rouleau tribute (2019)
- Russell Thomas on Otello (2019)
- A Tribute to Opera Philanthropist Roger D. Moore (2019)
- Claude Vivier: Cosmic Seeker (2019)
- Alexander Neef / Canadian Opera Company 2019-2020 season announcement (2019)
- Wilhelm Schwinghammer on Elektra (2019)
- Indigenous Opera in Canada (Cover Story; Spring 2018 print edition)
- Gerald Finley / King Lear interview (Cover Story; Winter 2017 print edition; online preview)
- Musikfest Berlin (2017)
- In the land of Verdi (excerpt; 2017)
- Colin Ainsworth on Medée (2017)
- Gerard Gauci / profile interview (2017)
- Charles Benaroya / COC Orchestra, trombone (interview; 2017)
- Stephen Hegedus (2016)
- Andrea Hill (2015)
- Carrol Anne Curry / Ruby Award (2015)
Opera Canada – Reviews:
- “Die Walküre” — concert presentations by the London Philharmonic Orchestra and the Toronto Symphony Orchestra (February 2019)
- World Premiere of Liszt’s “Sardanapalo” in Weimar (August 2018)
- Berlin Philharmonic, Mikko Franck, conductor; Noah Bendix-Balgley, director/soloist (2018)
- “Don Giovanni” Glyndebourne, 1954; Sir Georg Solti, conductor (Nimbus Records; 2017)
Maryland Lyric Opera:
- Notes: The Women of Le nozze di Figaro, Thais, and Il tabarro (January 2020)
National Ballet Of Canada:
- Traditions of ‘The Nutcracker’ (December 2019)
- ‘The Merry Widow’: All the Grandeur of the Belle Epoque (May 2019)
Canadian Opera Company:
- Jane Archibald interview (2018)
CBC Music:
- 10 opera singers making Canada proud in 2017-2018 (2017)
- “What’s the future of opera in Canada?” (2015)
- “The problem with Carmen: Why nobody understands opera’s most famous character” (2015)
- Barbara Hannigan interview (2015)
Toronto Star – Features:
- Maureen Forrester tribute by the Toronto Symphony Orchestra (2017)
- Canadian Opera Company General Director Alexander Neef interview (2017)
- Anna Netrebko and Yusif Ayvazov interview (2017)
- “L’elisir d’amore” preview (2017)
- Luca Pisaroni interview (2016)
- Peking Opera preview (2016)
- Opera 5 (2016)
Toronto Star – Reviews:
- Hamlet (Glyndebourne, 2017)
- Swan Lake (National Ballet of Canada, 2017)
- Oksana G. (Tapestry Opera, 2017)
- The Magic Flute (Canadian Opera Company, 2017)
- Medea (Opera Atelier, 2017)
- Trio Magnifico (Anna Netrebko/ Canadian debut, 2017)
- Maometto II(Canadian Opera Company, 2016)
- Naomi’s Road (Tapestry Opera, 2016)
- Lucio Silla (Opera Atelier, 2016)
- Dido and Aeneas (Opera Atelier, 2016)
- Norma (Canadian Opera Company, 2017)
- Counting Sheep (Independent / Lemon Bucket Orkestra, 2016)
- Siegfried (Canadian Opera Company, 2016)
National Post:
- Against The Grain Theatre Company (profile, 2016)
- “How the modern opera star went from bari-chunk to bari-hunk” (2016)
- “The ‘dumb tenor’ strikes again?” (2016)
- “Executives take their passion for music beyond the opera house” (2016)
- “Ronan McGrath takes his passion for Porsche to the track and beyond” (2016)
Video:
- Pre-screening Q&A to the Met Live In HD re-broadcast of “L’elisir d’amore” (Cineplex; March 2018)
Audio:
- Richard Crouse Show / Newstalk1010 (Toronto); member of culture panel (March 2018)
- Soundcloud (2010 – current)
Pacific Standard:
The Daily Dot:
Torontoist:
- “Bringing ‘Don Giovanni’ into the social media age” (2014)
- “Aspiring opera singers ready to raise their voices at Centre Stage” (2014)
- George Michael concert review (2008)
- More work (12 items; 2008 – 2014)
Intermission:
- Eda Holmes interview (2016)
- Diego Matamoros interview (2016)
Hyperallergic:
- “The penetrating portraits of an overlooked photographer” (2016)
- “With work by living composer, Canadian Opera Company embraces the edges of its art” (2015)
- “Douglas Coupland wants to give you brain orgasms” (2015)
- “A roving international art fest kicks off with Ragnar Kjartansson in Toronto” (2015)
- “Getting to know the new Terence Koh” (2014)
- More work (6 items; 2014 – 2016)
Metro:
- Racial diversity in Canadian art (2016)
- Instagram and art (2015)
- Wavelengths series at the Toronto International Film Festival (2015)
- Native art at the McMichael (2015)
Mic:
- “Feminism, bondage, matriarchy, and lassoes: The secret history of Wonder Woman” (2015)
- Interview with Jemaine Clement and Taika Waititi (2015)
- “How the rise of the ‘creative class’ is actually screwing creative Americans” (2015)
- “What every internet movie critic owes to Roger Ebert” (2014)
- “The television industry has no idea how to handle great sci-fi” (2014)
Broadway World:
- Allan Hawco (interview; 2014)
- Stones In Her Mouth (review; 2014)
- More work (14 items; 2014)
XOJane:
- I Ended Up Teaching in The Same Classroom Where I’d Been A Student (2015)
- I Fulfilled My Lifelong Dream Of Moving To NYC (And I Totally Hated It) (2014)
Digital Journal:
- Christine Goerke (interview, 2015)
- “Nijinsky” (National Ballet of Canada, review; 2014)
- The Barr Brothers (interview; 2014)
- Sharon van Etten (interview, 2014)
- Hal Willner (interview, 2014)
- The Bad Plus (interview; 2014)
- Ferruccio Furlanetto (interview; 2014)
- Balthus show (Metropolitan Museum of Art, review; 2013)
- More work (122 items; 2009-2015)