Tag: Charles Bukowski

Your Life

Amidst the stress of joejob work (whoops, I’ve been advised to call it “enable-job”, because truly, attitude is everything), planning for (and conducting) radio interviews, chasing future stories for Play Anon, hosting company, and mad job applying, I really haven’t been keeping up to date on my writing. And I feel bad about that. I came across this little treat via Twitter today, and wanted to share it. There’s something in Tom Waits’ plaintive, gruff delivery of this beautiful, simple poem that strikes a chord with me: the sense of struggle, of survival, of a shining, brilliant faith beaming forth amidst the crap of the world Hank was so familiar with.

Corny but true: “The Laughing Heart” makes a heart laugh. Enjoy. More soon.

Drunk. Test Later.

Two days ago I wrote a post about a Drunken History episode, in which comedian Duncan Trussell tried to explain the significance of Nikola Tesla astride a toilet bowl. It was gross, it was funny, it was weirdly educational. Mainly, I posted a feature on it because I find the entire concept highly creative and original. Would any of us (okay, most of us) care about the history of electricity if it were presented with less… flair (or alcoholic influence)?

The video was removed owing to copyright claims, which rendered my original post useless; currency being vital online, I quickly pulled the post, entirely bummed out. Trussell was trying to explain the history of Nikola Tesla and his stormy relationship with Thomas Edison. I loved Crispin Glover‘s glaring Edison, and John C. Reilly‘s whole-hearted earnestness. (The video was over at Inquisitr but alas, has been pulled there, too.)

Following my original post, I was surprised to see I’d lost a follower here. I don’t know who, and I don’t know why, but it made me wonder: why? Surely there’s far more offensive material on the internet than a sloshed Trussell explaining the foundations of electricity.Created by Derek Waters (who worked on The Sarah Silverman Program as well as Funny Or Die), the series’ premise is to get a celebrity inebriated before having them expound on a particular point in history. Past episodes have featured Jack Black, Michael Cera, Zooey Deschanel, Don Cheadle, and Will Farrell, talking about Benjamin Franklin, William Henry Harrison, Frederick Douglass, and other important American historical figures.

Drunk History may not be your textbook history, but it is very funny, and it’s also weirdly informative. What with American history being re-written lately anyway, who’s to say Drunk History isn’t a better -and more approachable -information source than textbooks? Somehow, the drunken lessons have an indisputable kernel of truth that combine with a youthful spark of fire and ingenuity. That’s what inspires curiosity and creates a thirst for more. Score one in the education column for Drunk History: smart, sarcastic, and slurringly educational. Somewhere, somehow, I can hear Charles Bukowski cackling.

Old Anew

Recently, I’ve had an urge to go through my old journals. Perhaps part of it is narcissism, but a much larger part is about returning to a time when writing came easily – when it wasn’t a job, but a joy. Creative writing -poetry and prose -were my forte, and in the 90s I was on fire with inspiration. Thanks to a few points in the right direction (courtesy of some rather incredible people, poets and writers themselves), I immersed myself in waves of words -I swam merrily through the oceans of worlds created by Allen Ginsberg, William Burroughs, Delmore Schwartz, Jack Kerouac, Charles Bukowski, WB Yeats, Pablo Neruda, Gwendolyn MacEwan, and a fine Irish poet by the name of Rhoda Coghill (and that’s a really, really short list).

I can’t say what changed between then and now -I still write occasionally for myself but I find a much greater sense of peace, fulfillment, and wordless, “winged joy” (to quote Blake) in painting. It’s probably no accident that my interest in visual art came about as a result of my passion for writers; I even wound up working in an art college in 1998. My passion for writing lead directly to my passion for painting; words lead to the wordless. It makes sense.

Still, in finding a sought-after journal of mine from ’98 this morning, I was struck by a mix of feelings. Nostalgia, of course, was one reaction, but it was the writing that hit me; here were the breathless words of a young woman in her 20s, trying to make sense of an evolving identity in a strange environment. It feels so good to look back at an older/younger version of yourself, to accept that version unconditionally, and appreciate how far you’ve come since. Growth is really measured in small moments.

Here’s a little nugget that made me laugh: I am not profound. I am merely wordy. That was then; now, I’m wordy for a living, but profound? I’m not sure I care anymore -which somehow seems like some kind of growth. And to quote Rumi, “your grief for what you’ve lost holds a mirror up to where you’re bravely working.” I like that.

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